Did you know that reading this article, you take your martial arts training into their own hands. You do something that 90% time martial artist does not hold. Most martial study of an academic or non style artists. And they do not bother to read on your own style, much less know what else is there.
This conscious ignorance is fine for some people. For them, the martial arts is a form of exercise, or exploring the rich traditions of the past. These "martial artists" myopic apparently do not focus on the aspects of self-defense arts. (I focus on practical application.)
It is okay to follow a style and not exposed to other arts, as long as you do not start believing naively that their style is the best. You might have trouble.
Note: You can not know that something is better if you do not know what else. Most of the time, we believe that the best way to be a superlative something defined as a style of martial arts, compare, and have overcome, others in the category.
A style is rarely, if ever Best
Limited to a single classic style, and thinking it is best for all situations of self-defense could be very damaging. I know this is a dangerous trap. (It's almost like magicians who believe their own press. They think they are better than them.)
If you want to learn how to defend yourself, to be a master of his art, then you have to go beyond their own art .... Those who know how others react styles certainly have an advantage, even if the opponent does not react as expected.
It makes no sense, but it's true. Just become familiar with different styles will help you generalize their own abilities. I promise.
So next time you work with colleagues of his own style, try to study the predictable patterns that may be indicative of his style. See the pattern, to break the pattern.
Go beyond, either!
Just think; the other 10% beyond what you have already examining their style habits. They learn to generalize skills, the way it should be.
Get this elite 10%, instead of following the crowd.
Usually practitioners of what I call "fossilized systems" that claim that their karate brand covers everything. While it is a complete system that is set in stone, it is often predictable techniques.
Some styles really want to fight against professional styles showing hard blocks, punches and flying kicks reversed. Why the eclectic styles have such an easy time defeating the hard styles? Because other systems studied eclectic. They know how to react.
Do you belong to a classic style?
If so, that's fine. You have a rich art, full of tradition. Take comfort in knowing what techniques will help you with its promotion of the next band. Secondly, I think people who study classical styles should be aware of potential challenges to defend the martial arts of the modern world.
I urge classic "karate konfident" going beyond its own limitations. Explore other styles. You'll be glad you did ... even if only confirms that you are in the right style for you.
For a list of all effective self-defense about to sign up for: Advantage Martial Arts. (You get a great free on eBooklet nudges, checks and blocks when you join.)
To learn how to defend himself with a knife, go to: KnifeFightingBooks.com.
This conscious ignorance is fine for some people. For them, the martial arts is a form of exercise, or exploring the rich traditions of the past. These "martial artists" myopic apparently do not focus on the aspects of self-defense arts. (I focus on practical application.)
It is okay to follow a style and not exposed to other arts, as long as you do not start believing naively that their style is the best. You might have trouble.
Note: You can not know that something is better if you do not know what else. Most of the time, we believe that the best way to be a superlative something defined as a style of martial arts, compare, and have overcome, others in the category.
A style is rarely, if ever Best
Limited to a single classic style, and thinking it is best for all situations of self-defense could be very damaging. I know this is a dangerous trap. (It's almost like magicians who believe their own press. They think they are better than them.)
If you want to learn how to defend yourself, to be a master of his art, then you have to go beyond their own art .... Those who know how others react styles certainly have an advantage, even if the opponent does not react as expected.
It makes no sense, but it's true. Just become familiar with different styles will help you generalize their own abilities. I promise.
So next time you work with colleagues of his own style, try to study the predictable patterns that may be indicative of his style. See the pattern, to break the pattern.
Go beyond, either!
Just think; the other 10% beyond what you have already examining their style habits. They learn to generalize skills, the way it should be.
Get this elite 10%, instead of following the crowd.
Usually practitioners of what I call "fossilized systems" that claim that their karate brand covers everything. While it is a complete system that is set in stone, it is often predictable techniques.
Some styles really want to fight against professional styles showing hard blocks, punches and flying kicks reversed. Why the eclectic styles have such an easy time defeating the hard styles? Because other systems studied eclectic. They know how to react.
Do you belong to a classic style?
If so, that's fine. You have a rich art, full of tradition. Take comfort in knowing what techniques will help you with its promotion of the next band. Secondly, I think people who study classical styles should be aware of potential challenges to defend the martial arts of the modern world.
I urge classic "karate konfident" going beyond its own limitations. Explore other styles. You'll be glad you did ... even if only confirms that you are in the right style for you.
For a list of all effective self-defense about to sign up for: Advantage Martial Arts. (You get a great free on eBooklet nudges, checks and blocks when you join.)
To learn how to defend himself with a knife, go to: KnifeFightingBooks.com.
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